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Bollywood

Shakespeare in Bollywood

Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...

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Movies

Sardar Udham: The Shadow Man

Satyabrata Ghosh explains why the film Sardar Udham should be watched to fathom what undying love for one’s own country ...

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Alternative Entertainment

A Faust for Bangladesh

Farrukh Dhondy at his best as he recounts the attempt he once made to adapt Goethe’s Faust for the Bangladeshi screen. Read More

Alternative Entertainment

A look back at Mira Nair’s tale of Home: Mississippi Masala

Aditi Singh revisits the film Mississippi Masala, thirty years after its release, and recalls the metaphors of ‘home&rsq...

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Trending

Sabarmati Ashram: To be or not to be

 

The government is mulling over revamping Sabarmati Ashram; people from various walks of life talk t...

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Should fireworks be banned?

The pollution caused by firecrackers this Diwali still hangs in the air and it has made breathing difficult for many. Monarose Sheila P...

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Alternative Entertainment

‘The Poetic Minimalism’ of Abbas Kiarostami

 Abbas Kiarostami (1940-2016) is unarguably the most known face of Iran on the map of World cinema, writes Vandan...

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The Indian Screen: Myth and Reality

Farrukh Dhondy traces the evolution of Indian storytelling from early days, when stories travelled by word-of-mouth, to now, a...

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Mein hoon PIO!

Farrukh Dhondy observes Indian media in foreign countries and the hype it creates over events there, however, concluding that ...

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Business and Politics

The sky is not the limit: Syed Asad Abbas

Langston Hughes said, “Hold fast to dreams for if dreams die life is a broken-winged bird that cannot fly” and MC Abbas lives by th...

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